Her creative path began with liquid pigments and a but,brush, as life so often does, her path took her away from painting. In claiming space for her creative practice, Gemmy, picked up a camera and started experimenting. Through the manipulation of light and pixels, Gemmy began creating work that exists somewhere in-between painting and photography.
What happened to be the lighting conditions of 17th century, has become an aesthetic that layers velvet colours across a canvas of deep shadow and glinting highlights- to create an image full of shadow, light with a beautiful stillness in-between. "Beauty, for me, is to create an image where all the elements melt and then come together solidly.
To tell a story through the use of lines, light, colour, and, the contrast between them." Led by her intuition and an obsession to create; as if she was moving liquid pigments on a canvas, For Gemmy, each detail is lovingly obsessed over and refined- from the backdrops that she generally paints herself, to the costumes, setbuilding, styling and post production.
«This became a way for me to paint again»
дистанцию побольше можно выставить
эти два примеры сделаны через наложенный шейп
то есть фотография цветная
поверх фото шейп с opacity 1 и с эффектом background saturate 0% (в целом ту же самую анимацию можно сделать и для черно/белой фотографии наложенной поверх цветной)
анимация только на шейп по скроллу
on window top
trigger offset 400
step 1:
duration 400
opacity 0
можно еще отдельно задать любую анимацию для самого изображения
